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The Städel Museum devoted an exhibition to the engraving in its early days as an artistic pictorial medium. The show presented some 130 important German and Netherlandish engravings of the fifteenth century, and thus retraced the development of the medium from its simple beginnings to ever more sophisticated creations.
https://www.staedelmuseum.de/en/before-duerer
With nearly 600 works, the Städel Museum has one of the most extensive and artistically significant collections of eighteenth-century Netherlandih drawings outside the Netherlands.
https://www.staedelmuseum.de/en/passion-for-pictures
Kristina Lemke (Head of Photography, Städel Museum) in close collaboration with Andreas Mühe
https://www.staedelmuseum.de/en/andreas-muehe
Louise Nevelson, Series of an Unknown Cosmos XL, 1979, Wood, paper, metal on wood panel, 91 x 61 cm, Städel Museum, Frankfurt am Main, Property of Städelscher Museums-Verein e.V., © VG Bild-Kunst, Bonn 2024.
https://www.staedelmuseum.de/en/closeup-credits
The roughly one hundred works on view from the twentieth century, supplemented by two paintings, were examined on the basis of various aspects, such as how the artists dealt with reality, how they questioned, further developed or undermined traditional pictorial ideas conveyed at the academies, and last but not least the fundamental significance of drawing within their respective oeuvres.
https://www.staedelmuseum.de/en/great-realism-great-abstraction
The product of a natural growth process, wood appealed to the “Brücke” co-founders Ernst Ludwig Kirchner, Erich Heckel and Karl Schmidt-Rottluff.
https://www.staedelmuseum.de/en/the-mysteries-of-material
“Maria Sibylla Merian and the Tradition of Flower Depiction” presented more than 150 works in all: sheets from the collections of the Städel and the Kupferstichkabinett, but also valuable loans from the Bibliothèque Nationale in Paris, the Sächsische Landes- und Universitätsbibliothek in Dresden, the Staatsbibliothek zu Berlin and the Universitätsbibliothek Johann Christian Senckenberg in Frankfurt.
https://www.staedelmuseum.de/en/maria-sibylla-merian
With his site-specific piece “The Given Day”, Müller also had different concepts of time enter into dialogue: Firstly, there is the physical notion of time, which allowed for a subdivision of time segments into objective units; secondly, there is human-existential time, which evaded such a strict subdivision.
https://www.staedelmuseum.de/en/michael-mueller
The graduates’ exhibition “Air Conditioned” was bound to these common climatic conditions and thus called attention to the underlying structures: just as an institution controls its rooms climatically, it also controlled the subjects that moved within those rooms.
https://www.staedelmuseum.de/en/air-conditioned
In an introduction and seven theme-oriented sections, the exhibition “New Ways of Seeing: The Photography of the 1920s and ’30s” conveyed an impression of the medium’s various uses in the interwar period.
https://www.staedelmuseum.de/en/new-ways-of-seeing
Barbara Klemm
1985
https://sammlung.staedelmuseum.de/en/work/staedel-kunstinstitut-frankfurt
Access to the Städel Rooftop is included in the admission fee of the Städel Museum. You can find out about the ticket prices here or at the museum ticket counter.
https://www.staedelmuseum.de/en/the-staedel/staedel-rooftop
Thomas Demand
2011
https://sammlung.staedelmuseum.de/en/work/saal
As our Corporate Partner, you provide decisive support to the Städel Museum’s work with your long-term dedication to culture and profit from the museum’s extensive and vibrant network.
https://www.staedelmuseum.de/en/support/sponsoring-and-partnership/corporate-partner
Jörg Sasse
2011
https://sammlung.staedelmuseum.de/en/work/1698
Live event with artist talk, performance, music and drinks
https://www.staedelmuseum.de/en/programme/staedel-invites
Janet Cardiff, George Bures Miller
2012
https://sammlung.staedelmuseum.de/en/work/the-bench
Dedicated supporters continue to ensure the Städel’s character as a diverse and inspiring venue. This dedication is the basis on which we build our ideas, projects and initiatives, and we are proud that the enthusiasm of our supporters results in that of our visitors. We invite you to join us!
https://www.staedelmuseum.de/en/support
As a private patron, you join a community that champions art and culture—and in the process you experience our museum work at close range.
https://www.staedelmuseum.de/en/support/private-patron
Olaf Nicolai
2012
https://sammlung.staedelmuseum.de/en/work/shutters-lullaby-ellipse-for-staedel
In their wills or already during their lifetimes, they have remembered the Städel Museum with a generous donation or bequest, thus making a lasting contribution to the continuity and further development of this unique institution even beyond their own lifetime.
https://www.staedelmuseum.de/en/support/private-patron/donations-and-legacies
All information on tickets and ticket prices at the Städel Museum at a glance.
https://www.staedelmuseum.de/en/visit/ticket-information
Jan Svenungsson
2013
https://sammlung.staedelmuseum.de/en/work/erster-schornstein-ii
Picture: Roederstein-Jughenn Archive in the Städel Museum, Frankfurt am Main. Roederstein during a mountain tour in the Upper EngadineSwitzerland, 1898.
https://www.staedelmuseum.de/en/the-staedel/research-conservation/roederstein-jughenn-archive
Approximately 130 drawings and one video work were shown in a site-specific installation: Shrouded in black light, Brandenburg’s drawings, inverted into the negative, are reminiscent of a visual diary of thoughts, memories, and sensory impressions from the last thirty years.
https://www.staedelmuseum.de/en/marc-brandenburg
The digital realm offers unlimited scope, and the Städel Museum is taking advantage of this circumstance to expand its sphere of influence and communicate its contents on an entirely new scale.
https://www.staedelmuseum.de/en/digital/digital-strategy
Cameras, audio and video recorders may be used for commercial or publication reasons only with written permission from the Städel Museum. To obtain permission, please contact our press department prior to your visit.
https://www.staedelmuseum.de/en/rules-of-the-house
Your Corporate Event at the Städel: As our corporate partner, you can take advantage of the unique Städel atmosphere to host an exclusive evening or visit for your guests at the museum.
https://www.staedelmuseum.de/en/support/corporate-events
Adolf Luther
1986
https://sammlung.staedelmuseum.de/en/work/integration-wandlinsen
Established as a civic foundation in 1815 by the banker and businessman Johann Friedrich Städel, the Städel Museum ranks as Germany’s oldest museum foundation. Under a single roof, its collection offers a virtually complete survey of seven hundred years of art from the early fourteenth century to the present, with focuses on the Renaissance, the Baroque, early Modern art and much more.
https://www.staedelmuseum.de/en/the-staedel