Search
Showing Page 3 of 23, 686 results
Manuel Franke
Within the framework of the series “In the Städel Garden”, the Düsseldorf artist Manuel Franke (b. 1964) has developed an artwork of monumental dimensions—50 metres long and 2.5 metres high—for the garden of the Städel Museum.
https://www.staedelmuseum.de/en/manuel-franke
Watteau
From 19 October 2016 to 15 January 2017, the Städel Museum presented a comprehensive exhibition on one of the most outstanding draughtsmen in the history of French art—Antoine Watteau (1684–1721).
https://www.staedelmuseum.de/en/watteau
Fantasy and Passion
The Städel Museum showed 90 remarkable Italian Baroque drawings from its own collection, inviting visitors to an intimate encounter with the artistic drawings of a bygone era. In their drawings, the artists not only laid the foundations for their paintings, sculptures or prints, but also demonstrated the independence of the medium.
https://www.staedelmuseum.de/en/fantasie-und-leidenschaft
Monet on the Normandy Coast
Examining the myth of Étretat therefore also allows us to trace the ambivalent effects of the popularization of a place and the role that art has played in it.CuratorsAlexander Eiling (Head of Modern Art, Städel Museum)Stéphane Paccoud (Chief Curator of 19th-Century Paintings and Sculptures, Musée des Beaux-Arts de Lyon)Isolde Pludermacher (General Curator of Paintings, Musée d’Orsay, Paris)
https://www.staedelmuseum.de/en/monet-on-the-normandy-coast
Städel’s Legacy
The Städel Museum presented a selection of ninety-five master drawings which gave an exemplary impression of the character, order and artistic significance of the former drawing collection of Johann Friedrich Städel.
https://www.staedelmuseum.de/en/stadels-legacy
Miron Schmückle
Exhibition viewPhoto: Städel Museum - Norbert Miguletz Exhibition viewPhoto: Städel Museum - Norbert Miguletz Exhibition viewPhoto: Städel Museum - Norbert Miguletz
https://www.staedelmuseum.de/en/miron-schmuckle
Visual Worlds of Everyday Life
With photographs by Wolfgang Tillmans, Pietro Donzelli, Barbara Klemm, Nobuyoshi Araki and Jack Pierson, the cabinet presentation in the permanent exhibition of the Contemporary Art Collection showed an artistic perspective on everyday life. A wilted bouquet, power poles passing outside the car window, chance encounters with pedestrians on the street: it takes the artistic perspective on everyday life to reveal impressions as fleeting as they are unexpected. .
https://www.staedelmuseum.de/en/bilderwelten-aus-dem-alltag
Géricault to Toulouse-Lautrec
The works on display, numbering about ninety in all, represented highlights of this century and technique and provided insights into the superb holdings of the Städel’s Department of Prints and Drawings.
https://www.staedelmuseum.de/en/gericault-to-toulouse-lautrec
Collection Highlight Tour
Connect with the most important artworks in the Städel’s permanent exhibition
https://www.staedelmuseum.de/en/programme/overview-tour-highlights-of-the-collection-2
Ursula Schulz-Dornburg
Assembling more than 200 works from 1980 to 2012, the Städel Museum offered the first comprehensive survey of the work of Düsseldorf based photographer Ursula Schulz-Dornburg.
https://www.staedelmuseum.de/en/ursula-schulz-dornburg
Back to the Present
Starting from the central space of the Garden Halls and beginning with major works by the younger and youngest generation of contemporary artists, a history of art after 1945 are unfolded.
https://www.staedelmuseum.de/en/back-to-the-present
The 80s
Works by such artists as Ina Barfuss, Werner Büttner, Walter Dahn, Jiří Georg Dokoupil, Rainer Fetting, Georg Herold, Martin Kippenberger, Helmut Middendorf, Christa Näher, Albert Oehlen, Salomé and Andreas Schulze were on view.
https://www.staedelmuseum.de/en/the-80s
Asta Gröting
© 2024 Asta Gröting, VG Bild-Kunst, Bonn 2024. Intimate moments and closeness characterize the multifaceted work of the artist Asta Gröting (b. 1961).
https://www.staedelmuseum.de/en/asta-groeting
Frank Auerbach & Lucian Freud
“Frank Auerbach and Lucian Freud: Faces” presented altogether forty drawings and prints, in particular portraits that are among the most uncompromising and most innovative in contemporary art.
https://www.staedelmuseum.de/en/frank-auerbach-lucian-freud
Annegret Soltau
Annegret Soltau (*1946) Surgical operations II, 11.10.2001, 2001© VG Bild-Kunst, Bonn 2025Photo: Fotodesign Hefele Darmstadt - Germany Annegret Soltau (*1946) Enclosed, 1973
https://www.staedelmuseum.de/en/annegret-soltau
John Baldessari
“200 Years Städel”, the bicentennial celebrations of Frankfurt’s Städel Museum, culminated with a solo exhibition of works by the internationally renowned American artist John Baldessari.
https://www.staedelmuseum.de/en/john-baldessari
Masterworks in DIalogue
A show that has been conceived by all the Städel’s curators together confronted key works of the institution’s own holdings with masterpieces from the most renowned museums over the world.
https://www.staedelmuseum.de/en/masterworks-in-dialogue
Monet
The Monet exhibition focused on the beginnings of the Impressionist movement in the years from the early 1860s to 1880 and sheds light on the emergence of this completely new style and the radical change it brought about in the relationship between pictorial content and form.
https://www.staedelmuseum.de/en/monet
Photographs Become Pictures
The Städel Museum staged a comprehensive survey on the Becher Class at the Düsseldorf art academy and the major paradigm shift in the medium of artistic photography with which the Bechers and their students are associated.
https://www.staedelmuseum.de/en/photographs-become-pictures
Battle of the Sexes
The show drew from the Städel Museum holdings which—with paintings by Max Liebermann, Edvard Munch and Franz von Stuck, sculptures by Auguste Rodin and photographs by Frank Eugene, Man Ray and others—include important works on the subject.
https://www.staedelmuseum.de/en/battle-of-the-sexes
Into the New
Regina Freyberger (Head of Prints and Drawings after 1750, Städel Museum). The expansion of the collection of American prints at the Städel Museum is supported by the Heinz and Gisela Friederichs Foundation.
https://www.staedelmuseum.de/en/into-the-new
Städel Night
Unique parties with insights into art, DJs, drinks, food, and an extraordinary atmosphere
https://www.staedelmuseum.de/en/program/staedel-night
Guided Tours and Workshops for Groups
Private guided tours through 700 years of art
https://www.staedelmuseum.de/en/program/guided-tours-and-workshops-for-groups
Guido Reni
Bastian Eclercy (Head Italian, French, and Spanish Paintings before 1800, Städel Museum)Project management: Aleksandra Rentzsch (Assistant Curator of Italian, French and Spanish paintings before 1800).
https://www.staedelmuseum.de/en/guido-reni
Titian and the Renaissance in Venice
The Frankfurt show assembled more than twenty examples by Titian alone – and thus the most extensive selection of his works ever before on display in Germany.
https://www.staedelmuseum.de/en/titian-and-the-renaissance-in-venice
Heinrich Kühn
Before making his mark as a leading exponent of the artistic photography movement, Heinrich Kühn (1866–1944) studied medicine. Around 1900, amateur photographers began to network and form associations across national boundaries to promote the recognition of photography as an art form in its own right.
https://www.staedelmuseum.de/en/heinrich-kuehn
Making van Gogh
How did it come about that Van Gogh became so popular especially in Germany? Who championed his oeuvre, and how did artists respond to it? The exhibition presented Van Gogh as a pivotal figure for art of the German avant-garde.
https://www.staedelmuseum.de/en/making-van-gogh
Sigmar Polke
For the works he printed from 1967 to 1979 he preferred offset or silkscreen printing, two rather unsophisticated techniques in terms of craftsmanship and trivial methods from the artistic point of view, to transport and spread seemingly random, irritating comments on art and society.
https://www.staedelmuseum.de/en/sigmar-polke
Imprints of a No. 50 brush, repeated at regular intervals of 30 cm
Niele Toroni
1979https://sammlung.staedelmuseum.de/en/work/empreintes-de-pinceau-no-50-repetees-a-intervalles-reguliers
David Claerbout
The film “Die reine Notwendigkeit” (2016) is a surprising adaptation of the animated movie classic “The Jungle Book” of 1967. Claerbout’s one-hour loop turns the sentimental and comical story about dancing, singing, and trumpet-playing jungle animals into a film that has dispensed all ‘humanization’ of the animals – but also its young protagonist Mowgli – and portrays them instead in a manner befitting their species.
https://www.staedelmuseum.de/en/david-claerbout