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The Roederstein-Jughenn Archive domiciled in the Städel Museum since 2019 provides insights into a network of women around Roederstein who supported and encouraged one another in matters of training and exhibiting, while also providing each other practical help.
https://www.staedelmuseum.de/en/staedel-women
Exhibition viewPhoto: Städel Museum – Norbert Miguletz. Exhibition viewPhoto: Städel Museum – Tetyana Lux. Exhibition viewPhoto: Städel Museum – Norbert Miguletz.
https://www.staedelmuseum.de/en/collection-permanent-exhibition
Exhibition viewPhoto: Städel Museum - Norbert Miguletz Exhibition viewPhoto: Städel Museum - Norbert Miguletz
https://www.staedelmuseum.de/en/natur-im-fokus
Max Beckmann (1884–1950)The Murder, 1933Watercolour and gouache over charcoal on machine-made wove paper, 498 × 455 mmStädel Museum, Dauerleihgabe aus der Sammlung Karin & Rüdiger VolhardPhoto: Städel Museum, Frankfurt am Main
https://www.staedelmuseum.de/en/beckmann
Hugo Erfurth (1874–1948)Untitled (Ms Schürmann), after 1925Oil print mounted on cardboard, 44.6 x 34.5 cmStädel Museum, Frankfurt am MainJoint property with the Städelscher Museums-Verein e.V.
https://www.staedelmuseum.de/en/faces-of-the-time
For the exhibition, the Städel Museum collaborated with the Hamburger Kunsthalle to bring together works from their own collections and leading European museums, among them the Musée d’Orsay, the Musée Picasso and the Centre Pompidou in Paris, the Museum Boijmans Van Beuningen, Rotterdam, the Kunstmuseum Basel and the Musée des Beaux-Arts de Lyon.
https://www.staedelmuseum.de/en/outstanding
More than 110 striking works on paper, sculptures, and early paintings by the artist were on view, including outstanding loans from the Berlin Kupferstichkabinett, the Käthe Kollwitz Museum in Cologne, the Art Institute of Chicago, the Sprengel Museum Hannover, the Staatsgalerie Stuttgart and elsewhere.
https://www.staedelmuseum.de/en/kollwitz
The Städel Museum presented a solo exhibition with altogether 16 pieces by Fürhofer, including a site-specific work. In the rooms devoted to the museum’s contemporary art collection, the artist staged a mystical jungle landscape in which nothing was as it seemed to be.
https://www.staedelmuseum.de/en/philipp-fuerhofer
One of the artist’s most well-known and most important works, the “Self-Portrait with Champagne Glass (1919)”, has been secured for the Städel in 2021.
https://www.staedelmuseum.de/en/staedels-beckmannbeckmanns-staedel
The Städel Museum’s programme for 2017 kicked off with an exhibition looking at the representation of spatial concepts in drawing and printmaking.
https://www.staedelmuseum.de/en/into-the-third-dimension
Exhibition viewPhoto: Städel Museum - Norbert Miguletz Exhibition viewPhoto: Städel Museum - Norbert Miguletz Exhibition viewPhoto: Städel Museum - Norbert Miguletz
https://www.staedelmuseum.de/en/victor-man
In the exhibition, selected ‘new arrivals’ and works from the Städel’s collection thus corresponded and correlated with one another to the mutual enrichment of both.
https://www.staedelmuseum.de/en/tokens-of-friendship
On the occasion of the exhibition “Rembrandt in Amsterdam: Creativity and Competition”, the Städel Museum organized an international conference on current art-technological research on Rembrandt’s paintings and works on paper.
https://www.staedelmuseum.de/en/rembrandt-in-amsterdam
Whether etching, drypoint, lithography, or linocut, with never-dwindling curiosity and virtuosity, Picasso gained expertise in a wide variety of printmaking techniques, always questioning what he had found in new and experimental ways.
https://www.staedelmuseum.de/en/picasso
An exhibition organised by the Städel Museum, Frankfurt/Main, and the Kunsthistorisches Museum Vienna. Curators: Prof. Dr.
https://www.staedelmuseum.de/en/rubens
For the first time the Städel Museum adressed the surprising references in his art to Rococo painting in a large-scale special exhibition. Whereas Rococo painting was considered frivolous and immoral after the French Revolution, it underwent a revival in the nineteenth century and was widely visible in Renoir’s lifetime.
https://www.staedelmuseum.de/en/renoir-rococo-revival
The Städel Museum traces the fascination of Schuch’s painting and shows his multifaceted engagement with modern French art. Carl Schuch (1846–1903) was a cosmopolitan: educated in Vienna, he travelled throughout Europe before settling in Paris in 1882, where he experienced the most productive phase of his artistic career.
https://www.staedelmuseum.de/en/carl-schuch-and-france
In addition to prominent international loans from institutions such as the Museum of Fine Arts, Boston, the Ny Carlsberg Glyptotek in Copenhagen, the Tate Modern in London, the Museo Thyssen-Bornemisza in Madrid, the Metropolitan Museum of Art in New York and the Musée d’Orsay in Paris as well as numerous private collections, the exhibition also featured works from the Städel Museum’s own rich impressionist art holdings.
https://www.staedelmuseum.de/en/en-passant
Werner Tübke (1929–2004)Harlequin on the Beach, 1965Graphite on wove paper, 408 x 398 mm Städel Museum, Frankfurt am Main © VG Bild-Kunst, Bonn, 2024
https://www.staedelmuseum.de/en/werner-tuebke
The Städel Museum’s jubilee year starts with an exhibition of outstanding drawings and etchings by the French artist Jean-Jacques de Boissieu (1736–1810), which will be on display in the Exhibition Hall of the Department of Prints and Drawings.
https://www.staedelmuseum.de/en/jean-jacques-de-boissieu
A particular highlight of the exhibition were the two paintings the artists owned by one another, which were shown together for the first time. Another highlight was Matisse’s “Large Reclining Nude” of 1935—a key work which has not been on display in Germany for more than thirty years and which has been on loan from the Baltimore Museum of Art.
https://www.staedelmuseum.de/en/matisse-bonnard
The Städel Museum dedicated a solo exhibition in its Contemporary Art Collection to the artist duo, featuring a video work and eleven large-format paintings.
https://www.staedelmuseum.de/en/muntean-rosenblum
The exhibition also looked back at Vasarely’s beginnings as an artist with such works as “Hommage au carré” (1929) or figurative paintings like “Autoportrait” (1944).
https://www.staedelmuseum.de/en/victor-vasarely
The Städel Museum in Frankfurt am Main presented a comprehensive solo exhibition with works by Lotte Laserstein. Her oeuvre is one of the great recent art historical rediscoveries and features sensitive and compelling portraits from the final years of the Weimar Republic.
https://www.staedelmuseum.de/en/lotte-laserstein
The physical and historical proximity between both institutions is present not only in the exhibition space, the Peichlbau of the Städel Museum, but also in the vision of founder, Johann Friedrich Städel: the academy and the museum returned to his founding vision of the display and teaching of fine art closely interlinked.
https://www.staedelmuseum.de/en/after-rubens
The Städel Museum exhibition featured from the Hellwig collection Daumier’s well-known lithographs, including “Le Passé – le présent – l’avenir” (1834) and “Rue Transnonain, le 15 avril 1834” (1834), in which the artist forcefully indicted the politics of King Louis-Philippe, as well as the artist’s influential genre caricatures and his timeless allegories of diplomacy as a frail lady or a personification of Europe trying to maintain her balance.
https://www.staedelmuseum.de/en/honore-daumier
Exhibition viewPhoto: Städel Museum - Norbert Miguletz Exhibition viewPhoto: Städel Museum - Norbert Miguletz Sponsored byFreunde der Tat – Städelscher Museums-Verein e.V
https://www.staedelmuseum.de/en/ugo-rondinone
Pontormo, Bronzino, Andrea del Sarto, Rosso, Vasari—in 2016, the Städel Museum had stage a major exhibition of superb works presenting the distinguished painters of Florentine Mannerism for the first time in Germany.
https://www.staedelmuseum.de/en/maniera
Gelatin silver print on baryta paper, 69,5 x 80 cmCollection DZ BANK at the Städel Museum, Frankfurt am Main© Andy Warhol/ The Andy Warhol Foundation for the Visual Arts, Inc./ Artists Rights Society (ARS), New York
https://www.staedelmuseum.de/en/scenes-of-america
In its bicentennial year, Frankfurt’s Städel Museum was presenting prints by the English painter, engraver and etcher William Hogarth (1697‒1764).
https://www.staedelmuseum.de/en/vices-of-life